With The Duke of Burgundy, the cinephilic English director Peter Strickland has made his third — and perhaps best — film to playfully riff on genre conventions. What begins as a bloodless tale of mistress and maid blossoms
With The Duke of Burgundy, the cinephilic English director Peter Strickland has made his third — and perhaps best — film to playfully riff on genre conventions. What begins as a bloodless tale of mistress and maid blossoms
With The Duke of Burgundy, the cinephilic English director Peter Strickland has made his third — and perhaps best — film to playfully riff on genre conventions. What begins as a bloodless tale of mistress and maid blossoms
With The Duke of Burgundy, the cinephilic English director Peter Strickland has made his third — and perhaps best — film to playfully riff on genre conventions. What begins as a bloodless tale of mistress and maid blossoms
With The Duke of Burgundy, the cinephilic English director Peter Strickland has made his third — and perhaps best — film to playfully riff on genre conventions. What begins as a bloodless tale of mistress and maid blossoms
You may not know Miranda Bailey’s name, but you probably know her work. As an actress, writer, director and producer, Miranda Bailey has a hand in just about every aspect of the independent film business. Early in her career
The Tribeca Film Festival kicked off on April 14 with the opening night premiere of Justin Tipping’s Kicks, an ambitious coming-of-age film set in an inner city enclave in Northern California. Though it’s Tipping’s feature debut, he’s far
Raising Bertie follows three young men over the course of five years as they grow into adulthood in Bertie County, a rural African-American-led community in North Carolina. Director Margaret Byrne had originally set out to make
With The Duke of Burgundy, the cinephilic English director Peter Strickland has made his third — and perhaps best — film to playfully riff on genre conventions. What begins as a bloodless tale of mistress and maid blossoms